Arenal Arenal, Rufino 1888-18.jan.1917 Spain, Pradoluengo - Pradoluengo
pianist, 1906 completed his study piano with Tomas Fernandez Grajal winning the first prize in piano and 1908 completed his study composition with Tomas Fernandez Grajal at Madrid Conservatory, 1909-1913 he was granted a scholarship by the government at Academia de Espana in Rome Italy to perfect his study composition (but remained active in Rome until 1915), 1912 he wrote articles 'Sobre la opera espanola' in Revista Musical de Bilbao, 1912 in Paris he participated with Tomas Breton, Conrado del Campo, Felipe Pedrell and others in the controversy over spanish opera, advocating an opera sung in castellano, 1915 professor of harmony and composition at Escuela de Pradoluengo ; son of Buenaventura Arenal and Celestina Arenal, well-off industrialists from cloth manufacturing families ; brother of composer Gonzalo Arenal

Title Parts


[] un numero teatral, algo asi como un final de acto, solemne, en el que se echan de menos las voces, la decoracion y el cuadro plastico, y en el que la orquesta, un tanto ampulosa, queriendo imitar a Wagner, se queda en Gounod o en algo parecido (a theatrical number, something like a final act, solemn, in which they miss the voices, the decoration and the plastic picture, and in which the orchestra, somewhat bombastic, wanting to imitate Wagner, stays in Gounod or something similar). Orchestra. Conservatorio de Madrid 15mar1908
his composition examination work, performed by an orchestra of students of Real Conservatorio de Madrid conducted by Tomas Breton
[] Fuga tonal a 2 motivos. Madrid 14nov1908
opposition work for the scholarship in Rome, ms with the signatures of Tomas Fernandez Grajal and Pedro Fontanilla
[] Salmo 116. Coro religioso a cuatro voces. Tiples, contraltos, tenores, bajos, flautas, oboes, clarinetes, fagotes, trompas, trombones, tuba, timbales, violines 1os, 2os, violas, violonchelos, y contrabajos. Madrid 14nov1908
opposition work for the scholarship in Rome, ms with the signatures of Tomas Fernandez Grajal and Pedro Fontanilla
[] Cantiga del Buen Amor. Poema dramatico musical, dividido en 3 actos. Tiple, alto, baritone, choir and orchestra. Madrid 10jan1909
opposition work for the scholarship in Rome, ms with the signatures of Tomas Fernandez Grajal and Pedro Fontanilla
[] Motete a 4 voces. Tiple, contralto, tenor y bajo. Rome 11apr1910
[] Motete a 4 voces. Coro y orquesta. Rome 3jul1910
[] Expiacion. Drama lirico en dos actos, original (libretto) de Achille Tedeschi. Coro y orquesta. Rome 19sep1910
[] Misa a cuatro voces. Tiples, contraltos, tenores, bajos y organo. Paris (for Rome) 20sep1911
[] Cuarteto en re menor. Munchen (for Rome) 14jun1912
[] Expiacion. Drama lirico en dos actos (acto 2o). original (libretto) de Achille Tedeschi. Munchen (for Rome) 16sep1912
[] Sinfonia en do para gran orquesta (2 flautas, 2 oboes, corno ingles, 2 clarinetes, 2 fagotes, 4 trompas en fa, 2 trompetas en do, trombones 1o y 2o, trombn 3o y tuba, timbales, violines 1os, violines 2os, violas, violonchelos, contrabajos y arpa). Paris 1mar1913
memoria de pensionado, ano 1913
[] San Juan Bautista. Oratorio en 2 partes para canto y orquesta (para voces solistas y/o coro (tiples, contraltos, tenores y bajos), 2 flautas, 2 oboes, corno ingles, 2 clarinetes, clarinete bajo, 2 fagotes, contrafagot, 4 trompas, 2 trompetas, trombones 1o y 2o, trombon 3o y tuba, timbales, violines 1os, violines 2os, violas, violonchelos, contrabajos y arpa). Paris aug1913
memoria de pensionado, ano 1913 		[] parte 1a - El nacimiento
[] parte 2a - El bautismo de Jesus
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