| Title | Parts |
|---|---|
| Harpsichord concerto in A Rita Peiretti, Accademia dei Solinghi |
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| Harpsichord concerto in D Rita Peiretti, Accademia dei Solinghi |
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| Harpsichord concerto in F Rita Peiretti, Accademia dei Solinghi |
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| Concerto a quattro in G. String quartet Quartetto Aglaia |
|
| Concerto in d. 2 Traversos, strings and bc Jed Wentz, Musica ad Rhenum |
|
| Regina coeli. Soprano and choir Katharina Beidler, sopraan. Ripeino Kammerorchester |
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| Rapida ceva fuge. Cantata. Soprano and instr Margaret Marshall, Deutsche Barocksolisten / Rudolf Ewerhart |
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| Magnificat in G. Soprano, choir and orch Ana-Maria Miranda, Berner Kammerchor, Sudwestdeutsches Kammerorchester / Jorg Ewald Dahler |
|
| Confitebur Monika Gonzalez s, Lucia Megyesi-Schwarz s, Krisztina Jonas s, Judit Nemeth a, Angelica Girls Choir, Savaria Baroque Orch / Fabio Pirona |
|
| Nunc dimittis idem |
|
| Laudate pueri idem |
|
| Confitebor tibi Domine. Alto, soprano, bass and instr Gerard Lesne, Veronique Gens, Peter Harvey, Il Seminario Musicale |
|
| Arripe alpestre ad vallem. Alto, soprano, bass and instr idem |
|
| Ecce procelle. Soprano and orch Monika Eder, Strassburg Barock Orch / Harald Kraus |
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| Laetatus sum Roberta Invernizzi s, Lucia Cirillo s, Sara Mingardo a, Paul Agnew t, Sergio Foresti b, Kornerschen Singverein Dresden, Dresdner Instrumental Konzert / Peter Kopp |
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| La caduta di Adamo. Oratorio Mara Zampieri, Ernesto Palacio, Susanna Rigacci, Marilyn Schmiege, I Solisti Veneti / Claudio Scimone |
[rem: with Aria of 8 min. magnificently performed by soprano Zampieri or Rigacci] |
| Messa per San Marco. 1766 Athestis Chorus, Academia de li Musici / Filippo Maria Bressan |
1 - Kyrie. reconstructed 2 - Gloria. Galuppi 3 - Credo. Galuppi 4 - Sanctus. reconstructed 5 - Benedictus. reconstructed 6 - Agnus Dei. reconstructed |
| Le nozze di Dorina (O casamente de Lesbina). Opera. Bologna 1755 libretto Carlo Goldoni Joseph Cornwell, Xenia Meijer, Maria Grazia Schiavo, Giulio Mastrototaro, Cecile de Boever, Matthias Vieweg, Hans Jorg Mammel, Kammerakademie Potsdam / Sergio Azzolini |