| Title | Parts |
|---|---|
| [N] Eusebio consumed. Computer generated (14:02) Open Space OS CD 9. 1997 |
1 - Eusebio reconciles his passions 2 - Dialoguing with the Ventana sea nymphs 3 - Re-birthing, back to the womb |
| [] Things fall apart. Computer generated (7:40) Open Space OS CD 9. 1997 |
|
| [] Madeleines. Computer generated (7:03) Open Space OS CD 9. 1997 |
[] 1 - I (0:45) [] 2 - II (3:55) [] 3 - III (0:46) [] 4 - IV (1:00) [] 5 - V (0:37) |
| [] Winter cranes. Computer generated (7:51) Open Space OS CD 9. 1997 |
|
| [] Crossing on the Salmon (Salmon River Idaho) (7:03). 1993 Grace Mannion-Jacobson soprano voice/tam-tam, Prisms New Music Ensemble. University of California, Santa Barbara. Open Space OS CD 9. 1997 |
|
| [] White writing. Computer generated (5:50) Open Space OS CD 9. 1997 |
[] 1 - Bird [] 2 - Night foxes |
| [] The purposes and politics of engaging strangers, a socioexpressive occasion (79:22) The Barrytown Orchestra, Benjamin A. Boretz, Goleta Anarchist Music Ensemble, Mary Lee Roberts. Open Space OS CD 6. 1994 |
|
| [] Archipelago. Flute | |
| [] Looking I, II, III. Tape dissertation/thesis MA. University of California, Santa Barbara 1991 |
|
| [] Portfolio of compositions. Tape dissertation/thesis PhD. University of California, Santa Barbara 1994 |
[] 1 - Absolutely, why not? A tribute to Vinko Globokar. Theater piece for tenor trombone soloist. 1991 [] 2 - Life-times. 2 Guitars. 1994 [] 3 - Salient witches. Chamber orchestra. 1994 [] 4 - Crossing on the Salmon. Chamber group and soprano. 1993 |